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    <subfield code="a">Bohjalian, Chris.</subfield>
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    <subfield code="a">The Sandcastle Girls</subfield>
    <subfield code="h">[Libby Audiobook] :</subfield>
    <subfield code="b">A Novel.</subfield>
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    <subfield code="b">Penguin Random House Audio Publishing Group, </subfield>
    <subfield code="c">2012.</subfield>
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    <subfield code="a">Format: OverDrive OverDrive MP3 Audiobook, Filesize: 307MB.</subfield>
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    <subfield code="a">HTML:Over the course of his career, &lt;i&gt;New York Times&lt;/i&gt; bestselling novelist Chris Bohjalian has taken readers on a spectacular array of journeys. &lt;i&gt;Midwives&lt;/i&gt; brought us to an isolated Vermont farmhouse on an icy winter’s night and a home birth gone tragically wrong. &lt;i&gt;The Double Bind&lt;/i&gt; perfectly conjured the Roaring Twenties on Long Island—and a young social worker’s descent into madness. And &lt;i&gt;Skeletons at the Feast&lt;/i&gt; chronicled the last six months of World War Two in Poland and Germany with nail-biting authenticity. As &lt;i&gt;The Washington Post Book World&lt;/i&gt; has noted, Bohjalian writes “the sorts of books people stay awake all night to finish.”&lt;br /&gt; In his fifteenth book, &lt;i&gt;The Sandcastle Girls&lt;/i&gt;, he brings us on a very different kind of journey. This spellbinding tale travels between Aleppo, Syria, in 1915 and Bronxville, New York, in 2012—a sweeping historical love story steeped in the author’s Armenian heritage, making it his most personal novel to date.&lt;br /&gt; When Elizabeth Endicott arrives in Syria, she has a diploma from Mount Holyoke College, a crash course in nursing, and only the most basic grasp of the Armenian language. The First World War is spreading across Europe, and she has volunteered on behalf of the Boston-based Friends of Armenia to deliver food and medical aid to refugees of the Armenian genocide. There, Elizabeth becomes friendly with Armen, a young Armenian engineer who has already lost his wife and infant daughter. When Armen leaves Aleppo to join the British Army in Egypt, he begins to write Elizabeth letters, and comes to realize that he has fallen in love with the wealthy, young American woman who is so different from the wife he lost.Flash forward to the present, where we meet Laura Petrosian, a novelist living in suburban New York. Although her grandparents’ ornate Pelham home was affectionately nicknamed the “Ottoman Annex,” Laura has never really given her Armenian heritage much thought. But when an old friend calls, claiming to have seen a newspaper photo of Laura’s grandmother promoting an exhibit at a Boston museum, Laura embarks on a journey back through her family’s history that reveals love, loss—and a wrenching secret that has been buried for generations.</subfield>
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    <subfield code="a">Narrators Cassandra Campbell and Alison Fraser travel through time with alacrity in their narration of Bohjalian's novel, based on his own family's saga. In horrific detail the story unveils the Armenian genocide of 1915 as discovered by a contemporary writer who accidentally exhumes her grandparents' past. The narrators balance the frivolities of Laura Petrosian's childhood in her grandparents' exotically detailed American home with revelations from the journals and letters she uncovers. These documents detail the earlier lives of her grandparents, American Elizabeth Endicott, who comes to Turkey to aid Armenian orphans, and Armen, an Armenian, who enters military service after his beloved wife and daughter become victims of the slaughter. As the couple comes together in an unlikely romance, they're struck by an awful twist of fate. Campbell and Fraser convey the toll of war on the vast cast--from orphans to diplomats, physicians to soldiers. D.P.D. © AudioFile 2012, Portland, Maine.</subfield>
    <subfield code="2">AudioFile Magazine.</subfield>
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    <subfield code="a">"Telescopic . . . Because of Bohjalian's writing style, which never rings a false note as it moves from present-day New York to the tragedy of World War I, his characters are as real as our own relatives. The well-researched history that forms the background informs, intrigues and enchants--even as recollections of horror mount . . . [A] story of love, world history and the human condition.".</subfield>
    <subfield code="2">HTML:Brandy Hilboldt Allport, &lt;i&gt;The Florida Times-Union&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"It takes a talented novelist to combine fully ripened characters, an engrossing storyline, exquisite prose and set it against a horrific historical backdrop--in this case, the Armenian Genocide--and completely enchant readers. The prolific and captivating Chris Bohjalian has done it all--again--with &lt;i&gt;The Sandcastle Girls&lt;/i&gt;. . . . Seamless . . . A fascinating journey through time and history.".</subfield>
    <subfield code="2">HTML:Kim Curtis, &lt;i&gt;The Associated Press&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"A sweeping love story . . . Toggling between two eras, Bohjalian paints a vivid portrayal of love and pain and the strength to survive each. At once heartbreaking and hopeful, &lt;i&gt;The Sandcastle Girls&lt;/i&gt; is a mesmerizing work of historical fiction influenced by the author's heritage and driven by a romance so beautiful and believable it hurts.".</subfield>
    <subfield code="2">HTML:Nicholas Addison Thomas, &lt;i&gt;Fredericksburg Free Lance-Star&lt;/i&gt;.</subfield>
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    <subfield code="a">"Bohjalian deftly weaves the many threads of this story back and forth from past to present, from abuse to humanity, from devastation to redemption. His ability to add irony and wit makes the contrasting horrors even more intense. . . . Staggering [and] utterly riveting . . . [A] valuable and powerful piece of evidence pointing to the undeniable.".</subfield>
    <subfield code="2">HTML:Eugenia Zukerman&lt;i&gt;, The Washington Post&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Compelling . . . Deftly mixing fact and fiction . . . Bohjalian weaves the story like threads in a rug, each thread adding color and shadow to a scene. . . . [S]o filled is it with the suspense of life and death that &lt;i&gt;The Sandcastle Girls&lt;/i&gt; is difficult to categorize. The story is fiction, but is true. It's history, but it's also art.".</subfield>
    <subfield code="2">HTML:Diane Scharper, &lt;i&gt;The Weekly Standard&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Bohjalian is a literary novelist unafraid to reference Proust's madeleine and expect readers to get it. But his books are also filled with artfully drawn characters and great, passionate storytelling. &lt;i&gt;The Sandcastle Girls&lt;/i&gt; is all that, but different, more powerful. . . . Handled with such skill that it seems perfect.".</subfield>
    <subfield code="2">HTML:Curt Schleier, &lt;i&gt;Minneapolis Star-Tribune&lt;/i&gt;.</subfield>
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    <subfield code="a">"A compelling new novel that is part love story, part history lesson . . . An eye-opening tale of longing and discovery [and] bittersweet reflection on hope even in the darkest circumstances. . . . Bohjalian's book is about the ways the past informs the present, about the pain but also the richness of heritage. . . . Remarkable.".</subfield>
    <subfield code="2">HTML:Amy Driscoll, &lt;i&gt;The Miami Herald&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Dead-solid perfect. Bohjalian is a literary novelist unafraid to reference Proust's madeleine and expect readers to get it. But his books are also filled with artfully drawn characters and great, passionate storytelling. &lt;i&gt;The Sandcastle Girls&lt;/i&gt; is all that, but different, more powerful.".</subfield>
    <subfield code="2">HTML:Curt Schleier, &lt;i&gt;The Seattle Times&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:&lt;p&gt;"Masterful . . . a near-perfect work of historical fiction. . . . The contemporary and historical sections each have a different flavor, but both are well written and engaging with interesting, three-dimensional characters. . . . Enlightening."&lt;/p&gt;.</subfield>
    <subfield code="2">HTML:&lt;i&gt;Book Browse&lt;/i&gt;.</subfield>
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    <subfield code="a">"A searing, tautly woven tale of war and the legacy it leaves behind. . . . A nuanced, sophisticated portrayal of what it means not only to endure, but to insist on hope.".</subfield>
    <subfield code="2">HTML:Nathalie Gorman, &lt;i&gt;Oprah.com&lt;/i&gt;.</subfield>
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    <subfield code="a">"Cool and lucid . . . With Armen and Elizabeth, Bohjalian has fulfilled the duty of anyone seeking to document a genocide--he ensures that we don't look away.".</subfield>
    <subfield code="2">HTML:Julie Wittes Schlack, &lt;i&gt;The Boston Globe&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"Stirring . . . &lt;i&gt;The Sandcastle Girls&lt;/i&gt; wraps the threads of a significant historic event around a deeply moving story of survival and enduring love.".</subfield>
    <subfield code="2">HTML:Carol Memmott, &lt;i&gt;USA Today&lt;/i&gt;.</subfield>
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    <subfield code="a">"Bohjalian--the grandson of Armenian survivors--pours passion, pride, and sadness into his tale of ethnic destruction and endurance.".</subfield>
    <subfield code="2">HTML:Lisa Schwarzbaum, &lt;i&gt;Entertainment Weekly&lt;/i&gt;.</subfield>
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    <subfield code="a">"Remarkably supple . . . Moment by moment, and passage by passage, the novel lights up a disturbing period of history.".</subfield>
    <subfield code="2">HTML:Margaret Quamme, &lt;i&gt;The Columbus Dispatch&lt;/i&gt;.</subfield>
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    <subfield code="a">"Sober, elegiac, and respectful. . . . A fiction like Bohjalian's [has the] power to reach legions of readers.".</subfield>
    <subfield code="2">HTML:Margot Harrison, &lt;i&gt;Seven Days&lt;/i&gt;.</subfield>
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    <subfield code="a">"[A] great read . . . An affecting tale set at the time of a lesser-known holocaust, 1915's Armenian genocide.</subfield>
    <subfield code="2">HTML:&lt;i&gt;People&lt;/i&gt;.</subfield>
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    <subfield code="a">Importer Version: 2014-01-08.01 Import Date: 2015-08-06 14:05:11.</subfield>
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    <subfield code="a">Campbell, Cassandra.</subfield>
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